Monday, February 08, 2010
Neither France nor Ireland had to break into a sweat to win their respective matches. It was good to see O'Gara back to his best and Cullen may have fought his way on instead of O'Callaghan. Trimble or Earls will do on the left wing. If Ferris can't play against France, Kidney should pick Quinlan instead of McLaughlin - but he won't. It's a mystery why he has been omitted from even the extended panel. If it was gouging, Jennings is back from a similar offence. If it is age, Hayes is older - although of course in a position where options are limited.
France looked very strong against a limited Scotland. Their pack is fearsome and as usual they have speed and guile in the backs. Bastardieu is nothing special I reckon - a smaller and uglier version of Lomu. I'd be more worried about Clerc. Apart from a late flurry of activity, the England Wales match was nothing special. England have a great pack but nothing creative behind. Wales have a great back line but no pack - especially without Gethin Jenkins. I favour France overall as they are at home to their main rivals Ireland and England. By the way, is it my imagination or has the scrum become much more significant this year?
Friday, February 05, 2010
I have done the state
The excellent Taoiseach series on TV3 - it's full of rich anecdotes from the past. When Reynolds cleared out the cabinet after he took over, Mary O'Rourke sought a meeting to protest her case. Reynolds' response, God bless him, was to tell her "to get put of here with your ould guff". Dick Spring also recounted how Reynolds' idea of consultation was to tell Spring what decisions he had made. The rock on which he subsequently perished - with the Harry Whelehan business. One constant since W. T. Cosgrave relinquished power to De Valera is the complete absence in Fianna Fail of any set of beliefs or coherent political philosophy. It's all about the acquisition of power and the dispensing of the subsequent largesse. It shows in events like Albert Reynolds' blithe acceptance of Dick Spring's Labour coalition demands in order to remain in office. I also liked Justine McCarthy's succinct put down of Haughey - she reckoned he should have shortened his risible quotation from Othello to "I have done the state".
Wednesday, February 03, 2010
Buddy Holly
The unfailingly good-humoured Tom Dunne Show on Newstalk is this morning playing music by Buddy Holly - as I write this I'm listening to Heartbeat. Today's the 51st anniversary of his death so why not. This was the music of my early adolescence and so never to be forgotten. In those days we got all our decent music on Radio Luxembourg in the early evening. It brought us the likes of Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, Eddie Cochran and of course Elvis. But Buddy was always my favourite. His plangent bitter-sweet ballads were especially attuned to the adolescent sensibility - check out What to Do and Crying Waiting Hoping. And he played exciting rock and roll with songs like Rave On and Not Fade Away. He had a homespun authenticity that made him a more empathetic figure than most of his peers. And then of course the tragic early death - he was only 22. What he would have become - a tired Las Vegas act, the greatest singer song-writer in the history of the universe, a drink and drug burnout - remains locked forever in the realms of conjecture.
Sunday, January 31, 2010
Avatar and The Road
Went to both these films in the past two weeks and found neither of them more than mildly diverting. I rarely enjoy films that have loads of CGI flying and fighting sequences - and I have a low tolerance of dragons and the exotic monsters of fantasy. The real world is grim and fantastical enough for me. Star Wars left me cold, for example, and I was unmoved by the Lord of the Rings. Avatar is no doubt a treat for the senses and the 3D effects were stunning. There parallels to be drawn with Yankee imperialism and rampant capitalism, and the remorseless pillaging of the Earth's resources, but the basic story was simplistic in the extreme - full of stock characters and situations. It was entertainment without content - like eating a meringue. The Road on the other hand was content without entertainment - a wholemeal muffin maybe. No film has the right to be so grey. The design and cinematography were sensational - image after image took one's breath away. But there was no break in the relentless grimness of the story. Even Beckett relieves the gloom with an occasional joke. You could admire a lot of it but you were hardly entertained.
Wednesday, January 27, 2010
Recent Reads 2
J. G. Farrell in His Own Words edited by Lavinia Greacen
This is a combination of the letters and diaries of J. G. Farrell up to his untimely drowning near Kilcrohane. The letters mainly concern the logistics of a writer's life and are not that interesting except to throw light on his early struggles for publication and survival. There's a lot of moving between modest flats and importuning his publishers for advances. A sad irony of his death was that he had (thanks to the Booker prize) just achieved financial independence.There's also an ever changing cast of women with whom he's arranging rendezvouses - while making it clear that he is not the marrying kind. Fair enough I say. Also, touchingly, he continued to write to his parents up to the end. The occasional diary entries from New York, India, Malaysia and Singapore are more interesting as the descriptive powers of the writer are employed. And you get glimpses of the characters he encountered, including Sonia Orwell, David Lean and William Burroughs. The tone throughout is rueful and self-deprecating but underneath you perceive the driven ambitious writer.
The Humbling Philip Roth
In his Last Poems Yeats referred to the perennial nature of the sexual urge: "You think it horrible that lust and rage
Should dance attention upon my old age". Roth's recent novels with their elderly protagonists clearly establish that this is an itch that's never cured. There is a wonderful scene in Everyman where the terminally ill hero encounters a beautiful girl running on the beach and toys with the notion of asking her out. The barrenness of the present compared to the superabundance of the past is the theme of his late novels. In The Humbling the elderly character gets the girl and much unfeasible sex occurs. But this is merely a dying spasm and soon soon he is left with nothing but his lonely decline. A lot of people prefer Roth's earlier more wordy novels, I prefer these pared down minimalist meditations on sex and mortality.
Annapurna by Maurice Herzog
As a rule I love climbing books and admire the insane romantics who write them. But I'll make an exception for Herzog's account of his ascent of Annapurna in 1950. The tone throughout this chaotic book suggests a hubris hardly in keeping with the disastrous venture that he led. He also fails to conceal his contempt for the sherpas and the "coolies" they encountered. A refrain throughout is the dirt and smells in the villages they passed through. What a prig. Structurally the book is a bit of a mess with the climb itself taking a secondary role to the struggle to actually find the right mountain and the disastrous aftermath. Herzog exalts his own leadership qualities, quoting some petty examples of how he exerted his authority. For someone who lost all his toes and most of his fingers, a degree of modesty might have been more apt. He lost his gloves on the summit and climbed down bare-handed, despite the fact he had spare socks in his bag. An expensive oversight eh.
This is a combination of the letters and diaries of J. G. Farrell up to his untimely drowning near Kilcrohane. The letters mainly concern the logistics of a writer's life and are not that interesting except to throw light on his early struggles for publication and survival. There's a lot of moving between modest flats and importuning his publishers for advances. A sad irony of his death was that he had (thanks to the Booker prize) just achieved financial independence.There's also an ever changing cast of women with whom he's arranging rendezvouses - while making it clear that he is not the marrying kind. Fair enough I say. Also, touchingly, he continued to write to his parents up to the end. The occasional diary entries from New York, India, Malaysia and Singapore are more interesting as the descriptive powers of the writer are employed. And you get glimpses of the characters he encountered, including Sonia Orwell, David Lean and William Burroughs. The tone throughout is rueful and self-deprecating but underneath you perceive the driven ambitious writer.
The Humbling Philip Roth
In his Last Poems Yeats referred to the perennial nature of the sexual urge: "You think it horrible that lust and rage
Should dance attention upon my old age". Roth's recent novels with their elderly protagonists clearly establish that this is an itch that's never cured. There is a wonderful scene in Everyman where the terminally ill hero encounters a beautiful girl running on the beach and toys with the notion of asking her out. The barrenness of the present compared to the superabundance of the past is the theme of his late novels. In The Humbling the elderly character gets the girl and much unfeasible sex occurs. But this is merely a dying spasm and soon soon he is left with nothing but his lonely decline. A lot of people prefer Roth's earlier more wordy novels, I prefer these pared down minimalist meditations on sex and mortality.
Annapurna by Maurice Herzog
As a rule I love climbing books and admire the insane romantics who write them. But I'll make an exception for Herzog's account of his ascent of Annapurna in 1950. The tone throughout this chaotic book suggests a hubris hardly in keeping with the disastrous venture that he led. He also fails to conceal his contempt for the sherpas and the "coolies" they encountered. A refrain throughout is the dirt and smells in the villages they passed through. What a prig. Structurally the book is a bit of a mess with the climb itself taking a secondary role to the struggle to actually find the right mountain and the disastrous aftermath. Herzog exalts his own leadership qualities, quoting some petty examples of how he exerted his authority. For someone who lost all his toes and most of his fingers, a degree of modesty might have been more apt. He lost his gloves on the summit and climbed down bare-handed, despite the fact he had spare socks in his bag. An expensive oversight eh.
Tuesday, January 19, 2010
Red by John Logan at the Donmar Warehouse

I do love the Donmar - a theatre with no safety net. The audience sits around the edge of the stage on three sides, or looms over the action in the balcony. It gives it an intimacy and immediacy that is lacking in a more conventional theatre. Given its modest capacity it's inclined to go for more experimental theatre and its audience is invariably young and right on.
I hadn't read any reviews of Red but it had two things going for it: the estimable Alfred Molina was appearing and it was about the last days of Mark Rothko - when he was wrestling with his conscience and the the Four Seasons commission. It turned out to be truly outstanding - Molina as Rothko and Eddie Redmayne as his assistant were on stage for 100 minutes and there wasn't a false moment - except for one or two of those slightly pretentious ones that discourses on art tend to provide. In addition to Rothko's stricken conscience, as he tried to reconcile art and mammon, the play dealt with the barbarians at the gate as Abstract Expressionism was being threatened by pop art and the garish and glib offerings of Warhol, Jasper Johns and Lichtenstein. But these forays into art history were never dull as the passion of the protagonists brought them to life. There was lots of physical business taking place in the studio where the play was set. Paintings were moved and paint mixed and every now and then the white back wall was exposed - bedecked with drips of gore from the red canvases. There was one beautifully choreographed piece where the two characters primed a giant canvas in unison. Both actors ended up covered in scarlet paint - another intimation of Rothko's bloody end.
Sarah Jane Morris at Ronnie Scott's

First ever trip to Ronnie Scott's last Friday and what a treat it tuned out to be. Firstly the venue is great - it's reasonably small and intimate so that no matter where your table is you are close to the action. We'd made a priority booking and so got a table right at the very front. There's waitress service so we were able to order a bottle of wine and settle back.
Sarah Jane Morris used to sing with the Communards and throughout the show wore her socialist principles on her sleeve - Promised Land being a good example. What a voice - deep, sonorous and melodic. She sang a number of her own compositions which were fine and dandy but it was her three interpretations of other people's songs that raised the show from entertaining to memorable. These were John Martyn's I Don't Want to Know, Tracy Chapman's Fast Car, and Sting's Fragile. The latter in particular raised the hairs on the back of my neck. She is quite a sight: a mop of unruly red hair, layers of gipsy clothes and accessories, and a loads of expressive movement . She was I suspect ravishing in her day. Her spirit is still very much intact - notwithstanding a recent divorce after 25 years of marriage - an event she spoke about ruefully and amusingly. She was accompanied by a super cool and super tight band - with Sting's occasional sideman Dominic Miller on guitar (looking like a more languid William Dafoe) and a guy on bass who looked like BB King's younger and slimmer brother. Great show.
Sunday, January 10, 2010
Thoughts out of Season
The Christmas debacle endured and survived and in bed by 23:30 on New Year's Eve - one can't complain. The post-Christmas spiritual recuperation in Schull worked its magic once again: the morning encounter with the congenitally upbeat Tom Brosnan in the local Spar; the lubricious crusty bread that is designed purely for a one-day stand; and then the long walk with the dogs on Toormore, Tragumna, or Barelycove beaches; back to read for a few hours - this Christmas I was reading J. G. Farrell's letters and Roberto Bolano's quirky masterpiece 2666; and then the crucial pre-dinner drinks in Hackett's (or for a change The Irish Whip in Ballydehob) where affairs of family and state are thrashed out (and Lucy from the Czech Republic, behind the bar, adds a frisson); and so to dinner which could be one of Tom Brosnan's succulent pork fillets or could be a trip to Antonio's in Ballydehob - Annies being now de trop.
Monday, December 28, 2009
Sometimes It's Good to be Wrong
Munster's win over Perpignan in France last week was probably their best performance ever - in fact it may be the best performance by an Irish rugby team ever - except maybe for Leinster's win over Munster in last year's Heineken Cup semi-final.
The secret was motivation, as it was in Leinster's case. The triumphant cupping of the ear to the crowd by the Perpignan wing Burgur as he scored their third try in Limerick the previous week showed a lack of respect. Some loose quotes in the French press from a Perpignan player about Munster playing like an academy side added salt to the wound.
The whole team was immense, but O'Connell and Leamy stood out for the intensity of their efforts. What a loss Leamy will be.
The secret was motivation, as it was in Leinster's case. The triumphant cupping of the ear to the crowd by the Perpignan wing Burgur as he scored their third try in Limerick the previous week showed a lack of respect. Some loose quotes in the French press from a Perpignan player about Munster playing like an academy side added salt to the wound.
The whole team was immense, but O'Connell and Leamy stood out for the intensity of their efforts. What a loss Leamy will be.
Wednesday, December 16, 2009
Gimme Shelter
A classic depiction of the Stones in their pomp and the debacle that was Altamont. Much is made of Altamont being the obverse of Woodstock - the place where the hippie dream died. Hardly. Altamont happened because the Stones and their advisors bought into the romantic outsider myth of the Hells Angels and made the disastrous decision to hire them as security for the concert. The Hells Angels took over and did as Angels do. There's one telling scene where a phalanx of them and their bikes drove straight the assembled crowd to a vantage point beside the stage. The peaceful blissed out crowd parted like the Red Sea to let them through. As the concert progressed the Angels grew more drunk and belligerent - crowding the stage, emanating menace, administering random beatings, and at one stage taking over the PA system. For all the Stones posturing with Sympathy for the Devil and Street Fighting Man, when confronted with the real thing all they could do was bleat ineffectually. There's a great scene involving a bearded ponchoed Jerry Garcia from the Grateful Dead, blinking like some great wooly woodland creature as a lackey told him of the mayhem on stage "they hit Marty man". The Dead returned to their chopper and fled.
Monday, December 14, 2009
Leinster Wax and Munster Wane
Was that Heineken Cup semi-final last year a glitch from an over-confident team or the first sign that a great team was in decline and that Leinster had overtaken them. The evidence of this week's matches suggests that the latter is true. Leinster, without their brave new outhalf, were sensationally good. They have added a formidable pack to their brilliant backs. Elsom and Jennings were not missed as the backrow of Heaslip, McLaughlin and O'Brien ran amok. Nacewa was behind a lot of the creativity, aided by D'Arcy and Horgan - O'Driscoll didn't need to perform his normal miracles. I can't see them losing to anyone except perhaps Perpignan.
Munster on the other hand were defensively lax and stolid in attack. The pack did well, especially Leamy and Quinlan but the backs could do nothing with all the possession. Howlett missed tackles, Mafi ran into trouble, Warwick was undistinguished. It all looked stale and flat. Only that O'Gara found his kicking boots they would have lost to an admittedly very impressive Perpignan side. I think their glory days are over for a while.
Munster on the other hand were defensively lax and stolid in attack. The pack did well, especially Leamy and Quinlan but the backs could do nothing with all the possession. Howlett missed tackles, Mafi ran into trouble, Warwick was undistinguished. It all looked stale and flat. Only that O'Gara found his kicking boots they would have lost to an admittedly very impressive Perpignan side. I think their glory days are over for a while.
Thursday, December 10, 2009
De Valera's Fault - Again
Reading extracts from the recent report on clerical sex abuse confirmed what we'd discovered earlier in the report on the physical abuse carried out at industrial schools by nuns and brothers. The religious orders treated their schools and churches like seraglios - if they weren't beating those in their charge, they were buggering them. And in either case these acts were carried out knowing that the law would not intervene. For in the Ireland designed by that spoiled priest De Valera (a regular visitor to his old friends the Redemptorists (Ok, Ok, the Holy Ghost fathers - same shit different name) in Blackrock), the state deferred to the church. The Gardai knew their place in the pecking order. Who can forget that image from the past of Bertie in the Dail on Ash Wednesday with an ostentatious display of ashes on his forehead. "Remember man thou art but dust" could apply now to his reputation. And of course we must remember John McGahern's sacking on moral grounds from his teaching job, not to mention the Mother and Child debacle. Rome ruled. Casey and Cleary fornicated. The priested peasants doffed their caps.
Tuesday, December 08, 2009
Recent Reads
Ship of Fools by Fintan O'Toole: Read this book and weep at the way we have allowed a collection of crooks and thimble-riggers to ruin us. O'Toole's polemic would inspire a revolution if had a critical mass of people in the country who actually read serious books. It is an expose of the cosy and corrupt cartel that runs this country. He's particularly good on the Ansbacher debacle and the abject failure of the Central Bank to police what was going on - even the sainted Peter Sutherland gets a slap in this section. The ruling classes, politicans, bankers, and the professions blatantly laundered their money off shore and the Central Bank turned a blind eye. When it became too obvious, the government introduced tax amnesties lest the great and the good suffer the wrath of the Revenue Commissioners. He also examines the disgraceful sale of Eircom at a time when we were trying to build a knowledge economy. There's lots of colour in this truly depressing book - most notably when describing the vulgar and ostentatious displays of wealth by the political elite and their paymasters in banking and the building business.
Blood's a Rover by James Elroy: Elroy's staccato mannered prose is only bearable in short chunks so this is the kind of book you dip into. Also, the narrative is so fractured that you are constantly trying to orientate yourself as the action constantly shifts locations and personae. But it's worth persisting with as every now and then you encounter perfect pithiness in the language - usually of a scatological nature: James Dean is "hung like a light switch", Sal Mineo "has a well travelled chute" (don't ask). Real live characters mix with the fictional ones so we encounter Howard Hughes, J. Edgar Hoover and Sal Mineo along with sundry killers, junkies, CIA operatives, and mysterious molls. The time is around the Robert Kennedy asassination and the action moves from LA, to Las Vegas to Haiti.
The Death of Bunny Munro by Nick Cave: Mildly diverting. Way too many masturbation scenes. Lively language, monstrous character, tedious story. And what's so special about Avril Lavigne?
Blood River: Tim Butcher: Surely to God it's impossible to write a boring travel book about the Congo in its current state? Butcher manages this unlikely feat. You get none of the sense of danger, violence and the randomness of life in is this benighted country. You do get lots of boring historical padding.
Blood's a Rover by James Elroy: Elroy's staccato mannered prose is only bearable in short chunks so this is the kind of book you dip into. Also, the narrative is so fractured that you are constantly trying to orientate yourself as the action constantly shifts locations and personae. But it's worth persisting with as every now and then you encounter perfect pithiness in the language - usually of a scatological nature: James Dean is "hung like a light switch", Sal Mineo "has a well travelled chute" (don't ask). Real live characters mix with the fictional ones so we encounter Howard Hughes, J. Edgar Hoover and Sal Mineo along with sundry killers, junkies, CIA operatives, and mysterious molls. The time is around the Robert Kennedy asassination and the action moves from LA, to Las Vegas to Haiti.
The Death of Bunny Munro by Nick Cave: Mildly diverting. Way too many masturbation scenes. Lively language, monstrous character, tedious story. And what's so special about Avril Lavigne?
Blood River: Tim Butcher: Surely to God it's impossible to write a boring travel book about the Congo in its current state? Butcher manages this unlikely feat. You get none of the sense of danger, violence and the randomness of life in is this benighted country. You do get lots of boring historical padding.
Friday, November 20, 2009
French Farce
For God's sake get over it. It's only a bloody football match - where randomness rules. It was bad enough having a Taoiseach who had a schoolboy crush on Manchester United, now we have one who goes bleating on about replaying a match just because the referee didn't spot a blatant foul. A bit of dignity and perspective Brian please. I recall Munster being cheated out of a Heineken cup final by the hand of Neil Back a few seasons ago. They took it on the chin and moved on - shit happens in professional sport. Quelle surprise.
Thursday, November 19, 2009
Read it and Weep
Anyone who cares about language, who relishes the pinpoint appositeness of a particular phrase, should read the novels of Nabokov and the non-fiction of Martin Amis. Here we have a fine example of the two juxtaposed from last Saturday's Guardian:
http://www.guardian.co.uk/books/2009/nov/14/vladimir-nabokov-books-martin-amis
The snippets from Nabokov's novels and Amis's felicitous phrase-making combine to make the tastiest of appetisers for their main courses.
Read it and weep for your own shortcomings as a writer.
http://www.guardian.co.uk/books/2009/nov/14/vladimir-nabokov-books-martin-amis
The snippets from Nabokov's novels and Amis's felicitous phrase-making combine to make the tastiest of appetisers for their main courses.
Read it and weep for your own shortcomings as a writer.
