Wednesday, May 31, 2017

John Gibbons - The Messengers

An edited version of this review appeared in the Sunday Times Culture magazine on the 28 May 2017.

The London-based Irish sculptor John Gibbons has described art as “a radiator for the soul”.  Despite its overtly contemporary feel, his latest exhibition makes this metaphor explicit with an array of highly-worked stainless steel sculptures laden with religious suggestiveness. These religious allusions are sometimes obvious as in Cross and elsewhere are confirmed by titles containing terms such as Temple Bell and Basilica. Messenger/Announce (above) brings to mind an antique reliquary and there are indeed relics woven into a couple of pieces in the show. But these are art relics.  Gibbons inherited a store of scrap metal from the great American Abstract Expressionist David Smith and he has incorporated pieces from this sacred hoard into his work  – the subtly different gauge reveals the artful homage. A couple of writhing ink and acrylic drawings on Melinex confirm his Abstract Expressionist affinities. Gibbons has an international reputation with work in Tate London and the Museum of Contemporary Art in Barcelona. This outstanding show demonstrates how he has earned it.

Hillsboro Fine Art
John P. O'Sullivan 

Tuesday, May 23, 2017

OJ - Made In America

We’ve all had enough of OJ Simpson and his deeply unattractive personality so it took an effort of  will for me to begin watching Ezra  Edelman’s 7 ½ hour documentary on his rise and fall, and the racial politics of his times. It had received laudatory reviews so I thought I'd check it out despite my reservations. It turned out to be as good a documentary as I've ever seen. The only other contender is Shoah, but the greater significance and grim import of that horrifying saga about the Holacaust places in a different category to this extravagant and enthralling drama of a fallen football star. 

The documentary opens with copious footage of his football prowess. I had never realised what a virtuoso he was. He was a running back but not one who caught long throws from the quarter back. Simpson was useless at fielding. His forte was lateral dodging and weaving against packed defences in restricted space. We saw him win games single-handed from impossible positions. For the first time I understood the subsequent fuss and the undying admiration of grown men. He was the Brian O’Driscoll or Henry Sheflin of American Football*.

*(My more sensitive friends objected to my clumsy and oxymoronic juxtaposing of  "grid-iron" and "sphere" as a synonym for American Football so I have reverted to the simpler term.)

 He retired early to follow his Hollywood dreams and it was pretty much all downhill from there (although financially rewarding) as he made crappy movies and moved to Brentwood to become a white man. The films format is basically extensive footage, including home movies and newsreel accompanied by a chorus of friends, former friends, victims’ families, lawyers and police. We are not spared the gory crime scene and forensic details.

We trace the early relationship with Nicole and her regular returns to him despite numerous brutal beatings. We also are shown the complicit tolerance of the local police to whom he was a friend and a hero. Ron Goldman, the collateral damage in the whole bloody affair, receives deserved focus in the coverage – mainly through his still suffering father.  The farce that was the trial is covered in detail and we see precisely how it became a trial of racism in the police department rather than a trial of Simpson for murder. The evidence against him was overwhelming. The trial was held in downtown LA, rather than Brentwood, which meant that the jury was stacked with under-educated black women who had time on their hands – and who, more significantly, were all too aware of the attitude of local police to the black community. The weakness of Judge Ito meant the whole process was dominated by the high-powered collection of legal sleaze bags referred to as “the dream team”. Ito allowed Johnny Cochran with his fancy ties and the cunning F. Lee Bailey to run the show. The wretched Dearden for the prosecution was chewed up by their machinations. The infamous glove incident being the most telling example. Simpson had deliberately stopped taking arthritis medication so his hands swelled and was also wearing a surgical glove to prevent contamination. A stone farce.

 A telling statistic about the trail was that 70% of white people believed Simpson guilty while 70% of black people believed him innocent. Feelings were so high that it became clear that a guilty verdict would have caused serious rioting in LA. An irony considering Simpson’s life-long failure to endorse any kind of black political initiatives. He saw himself as an honorary white man. Once free Simpson took to golf and partying with gusto. His sense of entitlement did for him in the end as he pursued some petty dealers in his memorabilia. The use of a gun to detain some of these wretches in an hotel room meant that he got 33 years for kidnapping rather than 6 months or so for a minor misdemeanour. Poetic justice of course.  

 It was an ESPN production that showed on BBC4 so to watch it you either need access to the BBC iPlayer or VPN software to access ESPN in the USA.             

Friday, May 12, 2017

As Above, So Below







An Edited version of this appeared in the Sunday Times Culture magazine on the 30 April 2017. 
It’s in our nature occasionally to lift our snouts from the trough, look upwards, and ask ourselves Captain Boyle’s deathless question: “what is the stars?” As Above, So Below aims to stimulate this spiritual questing through the work of 40 artists, ranging from Hilma af Klint to Bruce Nauman. The title of the show is taken from the opening lines of the Hermetica, one of the key texts of occultism. The dark side is explored by number of the artists (including Kenneth Anger and Cameron) who claim allegiance to the Great Beast Aleister Crowley. Patrick Pye’s stagey Old Testament scenes (with their faint whiff of El Greco) may inspire no great feelings of awe in these secular times but few will not be moved by Grace Weir’s superb In Parallel - a 20 minute video concerning Euclid’s Elements. This illustrated geometry lesson is accompanied by philosophical ruminations on man’s repudiation of nature in favour of abstraction. Give yourself time to explore this exhibition – it’s a hugely entertaining and frequently thought-provoking magical mystery tour.   Irish Museum of Modern Art   John P. O'Sullivan.

Tuesday, May 02, 2017

The McCanns and Anne Enright

In recent times I have have not had that show of love from the Irish Times Letters page as I was wont to have. I have included a recently rejected offering below. In praising a piece by Kathy Sheridan on the press abuse suffered by the unfortunate McCanns I added an example closer to home. I hope the august but lately rather limp organ wasn't trying to protect a sainted literary figure. Perhaps my prose lacked sparkle or my argument was mundane. For I'm sure Ms. Enright can handle a mild rebuke.
Dear Sir,
In Kathy Sheridan’s excellent piece on the hounding of the McCann family (Madeline McCann: the Stolen Decade – Irish Times 29 April 2017) by online trolls and the tabloids, she omits to mention an example closer to home. In the London Review of Books (4 Oct 2007) our own Anne Enright wrote a lengthy Diary piece stating that “Guilt and denial are the emotions we smell off Gerry and Kate McCann”. She also throws in rumours of wife-swapping and a ‘joke’ about Kate McCann having “done a Shipman” on her patients. 

John P. O'Sullivan.
See relevant LRB article:

For those who can't penetrate the LRB firewall (it does offer limited free access for one-off articles) here's Anne Enright's text:

Anne Enright

It is very difficult to kill a child by giving it sedatives, even if killing it is what you might want to do. I asked a doctor about this, one who is also a mother. It was a casual, not a professional conversation, but like every other parent in the Western world, she had thought the whole business through. She said that most of the sedatives used on children are over-the-counter antihistamines, like the travel sickness pills that knocked me and my daughter out on an overnight ferry to France recently. It would also be difficult, she told me, to give a lethal dose of prescription sleeping tablets, which these days are usually valium or valium derivatives, ‘unless the child ate the whole packet’. If the child did so, the short-term result would not be death but a coma. Nor could she think of any way such an overdose would lead to blood loss, unless the child vomited blood, which she thought highly unlikely. She said it was possible that doctors sedated their children more than people in other professions but that, even when she thought it might be a good idea (during a transatlantic flight, for example), she herself had never done so, being afraid that they would have a ‘paradoxical rage reaction’ – which is the medical term for waking up half out-of-it and tearing the plane apart.
I thought I had had one of those myself, in a deeply regretted incident at breakfast on the same ferry when my little son would not let me have a bite of his croissant and I ripped the damn pastry up and threw it on the floor. She said that no, the medical term for that was a ‘drug hangover’, or perhaps it was just the fact that an overnight ferry was not the best place to begin a diet. We then considered the holidays with children that we have known.
How much do doctors drink? ‘Lots,’ she said. Why are the McCanns saying they didn’t sedate the child? ‘Why do you think?’ Besides, it was completely possible that the child had been sedated and also abducted – which was a sudden solution to a problem I did not even know I had: namely, if the girl in the pink pyjamas was being carried off by a stranger, why did she not scream? Sedation had also been a solution to the earlier problem of: how could they leave their children to sleep unprotected, even from their own dreams?
But sedation was not the final answer, after all.
If someone else is found to have taken Madeleine McCann – as may well be the case – it will show that the ordinary life of an ordinary family cannot survive the suspicious scrutiny of millions.
In one – completely unverified – account of her interrogation, Kate McCann is said to have responded to the accusation that the cadaver dog had picked up the ‘scent of death’ on her clothes by saying that she had been in contact with six dead patients in the weeks before she came on holiday. My doctor friend doubted this could be true of a part-time GP, unless, we joked, she had ‘done a Shipman’ on them. Then, of course, we had to row back, strenuously, and say that even if something had happened between mother and child, or between father and child, in that apartment, even if the child just fell, then Kate McCann was still the most unfortunate woman you could ever lay eyes on.
And we are obliged to lay eyes on her all the time. This makes harridans of us all.
The move from unease, through rumour, to mass murder took no time flat. During the white heat of media allegations against Madeleine’s parents, my husband came up the stairs to say that they’d all been wife-swapping – that was why the other diners corroborated the McCanns’ account of the evening. This, while I was busy measuring the distance from the McCanns’ holiday apartment down the road to the church on Google Earth (0.2 miles). I said they couldn’t have been wife-swapping, because one of the wives had brought her mother along.
‘Hmmmm,’ he said.
I checked the route to the open roadworks by the church, past a car park and a walled apartment complex, and I thought how easy it would be to carry my four-year-old son that distance. I had done that and more in Tenerife, when he decided against walking. Of course he was a live and not a dead weight, but still, he is a big boy. Too big to fit into the spare-tyre well of a car, as my father pointed out to me later, when it seemed like the whole world was figuring out the best way to kill a child.
‘She was only a slip of a thing,’ I said.
I did not say that the body might have been made more pliable by decomposition. And I had physically to resist the urge to go out to my own car and open the boot to check (get in there now, sweetheart, and curl up into a ball). Then, as if to pass the blame back where it belonged, I repeated my argument that if there is 88 per cent accurate DNA from partly decomposed bodily fluids found under the carpet of the boot of the hired car, then these people had better fly home quick and get themselves another PR company.
Who needs a cadaver dog when you have me? In August, the sudden conviction that the McCanns ‘did it’ swept over our own family holiday in a peculiar hallelujah. Of course they had. It made a lot more sense to me than their leaving the children to sleep alone.
I realise that I am more afraid of murdering my children than I am of losing them to a random act of abduction. I have an unhealthy trust of strangers. Maybe I should believe in myself more, and in the world less, because, despite the fact that I am one of the most dangerous people my children know, I keep them close by me. I don’t let them out of my sight. I shout in the supermarket, from aisle to aisle. I do this not just because some dark and nameless event will overtake them before the checkout, but also because they are not yet competent in the world. You see? I am the very opposite of the McCanns.
Distancing yourself from the McCanns is a recent but potent form of magic. It keeps our children safe. Disliking the McCanns is an international sport. You might think the comments on the internet are filled with hatred, but hate pulls the object close; what I see instead is dislike – an uneasy, unsettled, relentlessly petty emotion. It is not that we blame them – if they can be judged, then they can also be forgiven. No, we just dislike them for whatever it is that nags at us. We do not forgive them the stupid stuff, like wearing ribbons, or going jogging the next day, or holding hands on the way into Mass.
I disliked the McCanns earlier than most people (I’m not proud of it). I thought I was angry with them for leaving their children alone. In fact, I was angry at their failure to accept that their daughter was probably dead. I wanted them to grieve, which is to say to go away. In this, I am as bad as people who complain that ‘she does not cry.’
On 25 May, in their first television interview, given to Sky News, Gerry McCann spoke a little about grief, as he talked about the twins. ‘We’ve got to be strong for them, you know, they’re here, they do bring you back to earth, and we cannot, you know, grieve one. We did grieve, of course we grieved, but ultimately we need to be in control so that we can influence and help in any way possible, not just Sean and Amelie, but the investigation.’
Most of the animosity against the McCanns centres on the figure of Madeleine’s beautiful mother. I am otherwise inclined. I find Gerry McCann’s need to ‘influence the investigation’ more provoking than her flat sadness, or the very occasional glimpse of a wounded narcissism that flecks her public appearances. I have never objected to good-looking women. My personal jury is out on the issue of narcissism in general; her daughter’s strong relationship with the camera lens causes us a number of emotions, but the last of them is always sorrow and pain.
The McCanns feel guilty. They are in denial. They left their children alone. They cannot accept that their daughter might be dead. Guilt and denial are the emotions we smell off Gerry and Kate McCann, and they madden us.
I, for example, search for interviews with them, late at night, on YouTube. There is so much rumour; I listen to their words because they are real, because these words actually did happen, one after the other. The focus of my ‘dislike’ is the language that Gerry McCann uses; his talk of ‘information technology’ and ‘control’, his need to ‘look forward’.
‘Is there a lesson here, do you feel, to other parents?’
‘I think that’s a very difficult thing to say, because, if you look at it, and we try to rationalise things in our head and, ultimately, what is done is done, and we continually look forward. We have tried to put it into some kind of perspective for ourselves.’
He lays a halting and agonised emphasis on the phrase ‘what is done is done,’ and, at three in the morning, all I can hear is Lady Macbeth saying this line after the murder of Duncan, to which her husband replies: ‘We have scorched the snake, not killed it.’ Besides, what does he mean? Who did the thing that has been done? It seems a very active and particular word for the more general act of leaving them, to go across the complex for dinner.
There are problems of active and passive throughout the McCanns’ speech. Perhaps there are cultural factors at play. I have no problem, for example, with Kate McCann’s reported cry on the night of 3 May: ‘They’ve taken Madeleine.’ To my Irish ears ‘they’ seems a common usage, recalling Jackie Kennedy’s ‘I want the world to see what they’ve done to my Jack’ at Dallas. I am less happy with the line she gives in the interview when she says: ‘It was during one of my checks that I discovered she’d gone.’ My first reaction is to say that she didn’t just go, my second is to think that, in Ireland, ‘she’d gone’ might easily describe someone who had slipped into an easy death. Then I rewind and hear the question, ‘Tell us how you discovered that Madeleine had gone?’ and realise that no one can name this event, no one can describe the empty space on Madeleine McCann’s bed.
Perhaps there is a Scottish feel to Gerry McCann’s use of ‘done’. The word is repeated and re-emphasised when he is asked about how Portuguese police conducted the case, particularly in the first 24 hours. He says: ‘I think, em, you know, we are not looking at what has been done, and I don’t think it helps at this stage to look back at what could and couldn’t have been done … The time for these lessons to be learned is after the investigation is finished and not now.’
I am cross with this phrase, ‘after the investigation is finished’. Did he mean after they’d packed up their charts and evidence bags and gone home? Surely what they are involved in is a frantic search for a missing child: how can it be finished except by finding her, alive or dead? Why does he not say what he means? Again, presumably because no one can say it: there can be no corpse, killed by them or by anyone else. Still, the use of the word ‘investigation’ begins to grate (elsewhere, Kate McCann said that one of the reasons they didn’t want to leave Portugal is that they wanted ‘to stay close to the investigation’). Later in the interview the word changes to the more banal but more outward-looking ‘campaign’. ‘Of course the world has changed in terms of information technology and the speed of response, you know, in terms of the media coming here and us being prepared, em, to some extent to use that to try and influence the campaign, but above all else, it’s touched everyone. Everyone.’